University of Exeter EVE - Everyone's Virtual Exhibition The Bill Douaglas Centre for the History of Cinema and Popular Culture

Digital Interactives

Explore objects in motion in our interactive section.

Collection Overview
Books
Campaign Material
Cigarette Cards
Games
Greetings Cards & Letters
Handbills
Jigsaw Puzzles
Magic Lanterns & Slides
Optical Toys
Periodicals
Photographs
Postcards
Posters
Programmes
Records
Sheet Music
Stereocards, Stereo Transparencies & Stereo Viewers
Toys

Feedback

Send feedbackTell us what you think
Home
Search the BDC
Your Collection
Exhibitions
Search the BDC > Record Summary > Full Record [Add to your Collection]
[Add to an Exhibition]
[<< Back]
Main Details
Item Number: 34310
Title Article:
Title or Brief Description: Film Season Publicity Programme - Made in London - 15th Season.
Type of Object: programme
Broad Subject Terms: film publicity
Description: Film Season Publicity Programme - Made in London - 15th Season. Consists of cast and crew lists for a number of films, with further information as follows: Adam's Apple: includes contemporary review from Bioscope; Cage of Gold: includes extract on the portrayal of women from 'Ealing Studios' by Charles Barr, and review by C A Lejeune in The Observer; Candles at Nine: includes extract on the film and its reception from 'Jessie Matthews' by Michael Thornton; Dance Pretty Lady: includes extract from 'Puffin Asquith' by R J Minney, looking particularly at the ballet scenes within the film; Far From The Madding Crowd: includes reviews from John Russell Taylor of The Financial Times and The Times; The Ghost Train: includes brief reviews from Anthony Slide, The Cinema, and Walter Forde, and a later review from an NFT programme note by Geoff Brown; The Girl From Maxim's: includes information on Korda and the film from 'Alexander Korda' by Karol Kulik, and a review from The Times; Give Her a Ring: includes detailed interview with Clifford Mollison from 1976 detailing his career; Hi, Gang!: includes NFT note by Denis Gifford on the radio series, contemporary review by Kinematograph Weekly, and an interview with Ben Lyon from 'Life With the Lyons'; Let The People Sing: includes reviews from The Times and C A Lejeune in The Observer; The Man from Morocco: includes reviews from The Times and Daily Telegraph; The Manxman: includes extract from 'The Art of Alfred Hitchcock' by Donald Spoto, and a 1984 Classic Images analysis of the morality and staging of the film; Murder: includes detailed analysis of the film in an extract from 'The Life of Alfred Hitchcock: The Down Side of Genius' by Donald Spoto, and a review from an NFT note; The Next of Kin: includes detailed information on production from Thorold Dickinson, and a review from William Whitebait in New Statesman; Old Mother Riley in Society: includes information on comics from 'Film Making in 1930s Britain' by Rachel Low, and a review from Today's Cinema; One Wild Oat: includes review by Monthly Film Bulletin, an article on drag by Stanley Holloway from 'Wiv a Little Bit o'luck', and information on Hepburn from 'Audrey Hepburn' by Ian Woodward; Painted Boats: includes information from an NFT programme note, and reviews by Edgar Anstey from The Spectator and C A Lejeune from The Observer; A Queen is Crowned: includes extract from 'The Changing Face of Royalty' by Rosalind Brunt in Marxism Today, 1984 and a review from Monthly Film Bulletin; The Red Shoes: includes information on shooting the ballet sequences from 'The World of Ballet' and Moira Shearer, a short biography on Shearer by Terry Staples, and a review of the film by Kevin Gough-Yates; The Story of Esther Costello: includes a review of the film by Isabel Quigly in the Spectator, and a review of Crawford, Sears and Brazzi by Dilys Powell in The Sunday Times; Theatre Royal: includes reviews by Today's Cinema and Monthly Film Bulletin; They Flew Alone: includes review by Dilys Powell in The Sunday Times and information on Amy Johnson from 'Anna Neagle - An Autobiography'; Waterloo Road: includes reviews from Monthly Film Bulletin and New Statesman, and an acocunt of a fight scene by John Mills, from 'Up in the Clouds, Gentlemen Please'; When We are Married: includes review from The Times; Woman in a Dressing Gown: includes reviews of the films by C A Lejeune in The Observer, Dilys Powell in The Sunday Times, and The Times.
  Associated Person(s):
Associated Production(s):
 
Further Details
Material: Paperback
Dimensions: Oversize
Language: English
Country of Origin: U.K.
Earliest/Single Date: 1988
Latest Date:
Inscription:
Inscription Date:
Provenance: Donated by Peter Jewell 2007
 
Research Details
ISBN or ISSN:
Edition No:
No of Pages:
Other Bibliographic Details:
Series Title:
Volume or Set Number:
Issue Number:
Issue Date:
 
Related Institution(s)
1) Relationship: Publisher
Institution: The Museum of London
Place: London
2) Relationship: Publisher
Institution: The National Film Archive
Place: London
 
Additional Information
Title Type: Found
Special Collection: Bill Douglas and Peter Jewell Collection
Number of Parts: 1
Acknowledgement:

Search the BDC

 

Latest Exhibitions

'A Lanternist and his Comrades' by Bill Douglas
'A Lanternist and his Comrades' by Bill Douglas
Marlene Dietrich: An Exotic Personality
Marlene Dietrich: An Exotic Personality
The ideal playmate: from Norma Jean Mortenson to Marilyn Monroe
The ideal playmate: from Norma Jean Mortenson to Marilyn Monroe
more ...

Quick Login
username:
password:
need to register?

Copyright The Bill Douglas Centre © 2004 View Terms and Conditions

The items represented on EVE are historical artefacts illustrating the history of cinema and popular culture. They are often anachronistic and can raise complex questions about the politics of representation. They do not in any way represent the views of the Bill Douglas Centre or of the University of Exeter.

The museum is supported by

Arts and Humanities Research Board